Culture of Georgia

Culture of Georgia

The culture of Georgia has evolved over the country’s long history, providing it with a unique national culture and a strong literary tradition based on the Georgian language and alphabet.
This has provided a strong sense of national identity that has helped to preserve Georgian distinctiveness despite repeated periods of foreign occupation

Georgian Theatre

Georgia’s earliest theatre space dates back to 3rd Century B.C. and can be found in ancient cave town Uplistsikhe (link). Though no texts survive – due to innumerable wars that have taken place in the area – it is clear that performances did occur at least 1800 years ago.

Archeologists have found connections between the ancient theatres and modern acting styles, styles that show their roots in folk forms, squares filled with the sounds of music and drums, comedy, improvisation, pageant and masquerade. The festive nature of Georgian theatrical art also seems to be connected with traditional Georgian taste for singing and dancing and a tendency towards celebratory reenactments of the heroic. The nation’s continuing protest against foreign domination and recognition to one’s duty to give up everything to protect national freedom have long been reflected in both Georgian plays and performing styles. Hallmarks include bald speech, extremes of feeling and violent passion.

From the 19th century, due to country’s tight relation to its northern neighbour, Russians styles, particularly realism, became dominant in all the arts. The first Georgian dramatist to work in realistic style was the 19th century writer Giorgi Eristavi. In 1850 Eristavi founded his own theatre and produced several plays but unfortunately could not find the funding from the government and had to stop his company operating.

Rustaveli Theatre

In 1879, a second company, which ultimately would be known as the Rustaveli started operating in Tiflis. It was created by two important writers of Georgia – Chavchavadze and Tsereteli.

They attempted to make their theatre a center of the most advanced ideas on liberty and sociall humanism. Theatre quickly gained a large following and both Georgian and Russian as well as world classics could be seen on the stage.

In modern times theatre’s most famous director was Robert Sturua who gained international acclaim for his original interpretation of the works of Brecht, Shakespeare, Chekhov. In 2011 Sturua was dismissed from his position.

Currently Rustaveli Theatre remains the main theatre of the country, it is located in its capital Tbilisi on Rustaveli Avenue. Housed in an ornate Rococo-style edifice. For more information, repertoire and etc. please see their official website.

Kote Marjanishvili State Academic Drama Theatre

It is one of the oldest and most significant theatres in the country, coming second perhaps only to the national Rustaveli Theatre.

The theatre was founded in Kutaisi in 1928 by Kote Marjanishvili. It moved to Tbilisi in 1930 to the former Brothers Zubalashvili philanthropic “Public House”, the building it still occupies. The theatre’s art nouveau edifice was thoroughly renovated and reopened in 2006 with the premiere of Bertolt Brecht’s “The Threepenny Opera”. For more information, repertoire and etc please see their official website.

 A unique style of Georgian theatre can be considered as a national treasure. Under the leadership of great directors as Kote Marjanishvili, Robert Sturua, Mikheil Tumanishvili and others Georgian Theater has founded its place in the world’s theatrical life.

Nowadays more than 34 theatres function in Georgia

 
 

Opera & Ballet

The Georgian National Opera and Ballet Theater of Tbilisi, formerly known as the Tiflis Imperial Theater, is an opera house situated on Rustaveli Avenue in Tbilisi, Georgia. Founded in 1851, Tbilisi Opera is the main opera house of Georgia and one of the oldest such establishments in Eastern Europe.

Since 1896, the theater has resided in an exotic neo-Moorish edifice originally constructed by Victor Johann Gottlieb Schröter, a prominent architect of Baltic German origin. Although definitively Oriental in its decorations and style, the building’s layout, foyers and the main hall are that of a typical European opera house. Since its foundation, the theater has been damaged by several fires and underwent major rehabilitation works under Soviet and Georgian leadership; the most recent restoration effort concluded in January 2016, having taken six years.

The opera house is one of the centers of cultural life in Tbilisi and was once home to Zacharia Paliashvili, the Georgian national composer whose name the institution has carried since 1937. The Opera and Ballet Theater also houses the State Ballet of Georgia under the leadership of internationally renowned Georgian ballerina Nina Ananiashvili. In recent years it has hosted opera stars such as Montserrat Caballé and José Carreras, while also serving as a traditional venue for national celebrations and presidential inaugurations.

For more information, repertoire and etc please see their official website.

 

Georgian Folk songs & Dances

Georgian Folk Music

Georgian polyphonic music tradition is world-renowned and calls upon an enchanting combination of ancient and modern harmonies. In 2001 UNESCO acknowledged this music as “a masterpiece of the world’s intangible cultural heritage”.

Its unique, slightly dissonant style has not changed for centuries. The Greek historian Strabo recorded the multi-voiced chants of Georgians riding into battle as early as in the 1. Century BC. The songs, made up of three-part harmonies, are still in the blood of modern society. They can be heard in churches and monasteries across the country; down Tbilisi’s back-streets of an early evening; or across the village fields in summer. They are also very much a part of the Georgian feast (supra).

Georgian Folk Dance

Georgian dance, like the national polyphonic songs, remain a major cultural export. The Georgian State Dance Ensemble tours the world for most of the year. The vigorous, vibrant men leap high in the air; clash swords amidst flying sparks and razor sharp daggers are thrown into the floor in a frenetic, breathtaking choreography.

All this is contrasting with the women’s graceful, elegant and beautiful dances. Fabulous multi-colored costumes from the many mountain regions, wild drumming, accompanied by sound of pipes and accordions… The impression is mesmeric and truly unforgettable!

For more information on Georgian National Folk ensembles please visit:

Georgian National Ballet Sukhishvili webpage

Interesting  website about Georgian folk songs

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